{"id":82496,"date":"2022-03-25T12:00:45","date_gmt":"2022-03-25T11:00:45","guid":{"rendered":"https:\/\/helmut-newton-foundation.org\/?post_type=portfolio&#038;p=82496"},"modified":"2022-11-21T08:59:51","modified_gmt":"2022-11-21T07:59:51","slug":"hollywood","status":"publish","type":"portfolio","link":"https:\/\/helmut-newton-foundation.org\/en\/ausstellungen\/hollywood\/","title":{"rendered":"Hollywood"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/3&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;484975&#8243;]Since 3 June 2022, the Helmut Newton Foundation in Berlin will open its new exhibition <em>Hollywood<\/em> featuring works by Eve Arnold, Anton Corbijn, Philip-Lorca diCorcia, Michael Dressel, George Hoyningen-Huene, Jens Liebchen, Ruth Harriet Louise, Inge Morath, Helmut Newton, Steve Schapiro, Julius Shulman, Alice Springs, and Larry Sultan. Photographs by George Hurrell and publications by Annie Leibovitz and Ed Ruscha will also be on view in glass displays.[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text uncode_shortcode_id=&#8221;123938&#8243;]<strong>Helmut Newton<\/strong> is always the point of departure and reference for group exhibitions like this one. His photographic works often include references to film and even quote specific scenes, such as by Alfred Hitchcock or the French <em>Nouvelle Vague<\/em>. Starting in the 1960s, some of his fashion photographs seem cinematic in their staging, while from the 1970s onward, some of his portraits look like artful film stills. In the 1980s and \u201890s, Newton photographed actors at the Cannes Film Festival and fashion on the Croisette.<\/p>\n<p>In addition to those images by Newton, this new group exhibition features 13 photographers and their interpretations of Hollywood, presented as usual in larger groups of works. The main exhibition space is dedicated to the medium of film and the Hollywood system. It features portraits of actors from Hollywood\u2019s early years by <strong>Ruth Harriet Louise<\/strong> and <strong>George Hoyningen-Huene<\/strong>, as well as later film stills and on-set photographs by <strong>Steve Schapiro<\/strong> and several Magnum photographers, including <strong>Eve Arnold<\/strong> and <strong>Inge Morath<\/strong>, who documented the 1960 production of the John Huston film, <em>Misfits<\/em>.<\/p>\n<p>A glass display presents an extensive portfolio of photographs by <strong>George Hurrell<\/strong> that Helmut Newton owned, along with some later works by Hurrell, who replaced Ruth Harriet Louise in 1930 as the most important Hollywood portraitist for the major film studios. Elsewhere in the same room hang five large-format color photographs from <strong>Larry Sultan<\/strong>\u2019s series <em>The Valley<\/em>, a study of the porn film industry near Hollywood \u2013 the largest of its kind and, in a sense, the equally lucrative dark side of the dazzling world of glamour. Gracing the walls of another part of the space are five large, minimalistic black-and-white portraits shot by <strong>Anton Corbijn<\/strong> in Los Angeles, from Clint Eastwood to Tom Waits. A further display case holds <strong>Annie Leibovitz<\/strong>\u2019s famous Hollywood portraits, which she shoots every year for <em>Vanity Fair<\/em>. The Oscar winners depicted in panoramic group portraits appear on gatefold covers of the magazine. As a whole, this room traces a historical arc over an entire century \u2013 from the early star portraits of the 1920s, which set a precedent, to present-day Hollywood, and from vintage prints of various sizes to magazine reproductions.<\/p>\n<p>In the back exhibition room, the focus is on the city of Los Angeles. <strong>Julius Shulman<\/strong>\u2019s architectural photographs showcase legendary mansions in Hollywood Hills and Beverly Hills. These architectural icons of L.A. modernism were often the home of film stars and producers and occasionally served as film sets. Appearing in sharp contrast are <strong>Michael Dressel<\/strong>\u2019s striking, sometimes unsparing portraits of the failed and disillusioned and even Hollywood tourists. These fleeting encounters are captivating in their spontaneity and situational composition. <strong>Jens Liebchen<\/strong> began work on his color series <em>L.A. Crossing<\/em> in 2010 as part of the \u201cLa Brea Matrix\u201d project initiated by Markus Schaden, aiming to trace the footsteps of Steven Shore. From the window of his rental car, Liebchen photographed what at first glance seems to be unspectacular street scenes. Viewed as a series, however, the images unfold into a compassionate sociological study. On the opposite wall is <strong>Philip-Lorca diCorcia<\/strong>\u2019s <em>Hustler<\/em> series from the 1990s, portraits of male prostitutes around Santa Monica Boulevard. Each photograph\u2019s title includes the sitter\u2019s name, place of origin, and hourly rate \u2013 the latter in this case referring to the fee for the photograph. Flipped open in the central display case, <strong>Ed Ruscha<\/strong>\u2019s legendary 1966 accordion-fold leporello, <em>Every Building at the Sunset Strip<\/em> provides an architectural and social backdrop for the other photographers\u2019 later images of the same sites and street corners, which hang on the walls in this exhibition space.<\/p>\n<p>A different kind of street photography is on view in <strong>June\u2019s Room<\/strong>, which <strong>Alice Springs<\/strong> shot on Melrose Avenue in West Hollywood in 1984. The images capture the music-based counterculture of punks and mods and other style-conscious individualists who transformed the streets into a stage as if life were a casting show.<\/p>\n<p>With these images, the group exhibition traces the allure of Hollywood that continues to draw many people to Los Angeles in search of work in the film industry. We glimpse both the official and private lives of stars, the villas of the rich and beautiful, film-loving fans, as well as numerous secondary motifs, such as film props in the studios. On the one hand, the exhibition looks back upon 100 years of Hollywood through these select works. At the same time, its perspective is utterly contemporary, paying homage to the slowly fading splendor of an entire era. Cinematographic storytelling is continued here with photographic means.[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;0&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column width=&#8221;1\/1&#8243;][vc_gallery el_id=&#8221;gallery-624171&#8243; type=&#8221;carousel&#8221; medias=&#8221;82703,82705,82707,82709,82711,82713,82715&#8243; carousel_lg=&#8221;1&#8243; carousel_md=&#8221;1&#8243; carousel_sm=&#8221;1&#8243; gutter_size=&#8221;2&#8243; carousel_height=&#8221;equal&#8221; carousel_interval=&#8221;0&#8243; carousel_navspeed=&#8221;400&#8243; carousel_nav=&#8221;yes&#8221; carousel_nav_mobile=&#8221;yes&#8221; carousel_dots=&#8221;yes&#8221; carousel_dots_mobile=&#8221;yes&#8221; carousel_dots_inside=&#8221;yes&#8221; carousel_dot_padding=&#8221;2&#8243; stage_padding=&#8221;0&#8243; single_overlay_color=&#8221;color-jevc&#8221; single_overlay_opacity=&#8221;10&#8243; single_image_anim=&#8221;no&#8221; single_padding=&#8221;2&#8243; lbox_caption=&#8221;yes&#8221; lbox_no_tmb=&#8221;yes&#8221; uncode_shortcode_id=&#8221;169426&#8243;][\/vc_column][\/vc_row][vc_row unlock_row=&#8221;&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;1&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading heading_semantic=&#8221;h4&#8243; text_size=&#8221;h4&#8243; uncode_shortcode_id=&#8221;140153&#8243;]Selected Works[\/vc_custom_heading][vc_gallery el_id=&#8221;gallery-675076&#8243; medias=&#8221;82554&#8243; explode_albums=&#8221;yes&#8221; filtering=&#8221;yes&#8221; filtering_uppercase=&#8221;yes&#8221; gutter_size=&#8221;2&#8243; screen_lg=&#8221;1000&#8243; screen_md=&#8221;600&#8243; screen_sm=&#8221;480&#8243; single_overlay_color=&#8221;color-jevc&#8221; single_overlay_opacity=&#8221;12&#8243; single_image_anim=&#8221;no&#8221; single_padding=&#8221;2&#8243; lbox_caption=&#8221;yes&#8221; lbox_no_tmb=&#8221;yes&#8221; filter_all_text=&#8221;Alles&#8221; uncode_shortcode_id=&#8221;857213&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>June 3 \u2013 November 20, 2022<\/p>\n","protected":false},"author":1,"featured_media":82486,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"portfolio_category":[87],"class_list":["post-82496","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-archive-2004-2026"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Hollywood &#8211; 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